Tag Archives: album review

Suffocation – ‘Pinnacle Of Bedlam’

Over the past 25 years or so, Suffocation are one of a handful of bands who have towered over the US death metal scene, producing a handful of classic genre-defining – and, indeed, re-defining – albums, such as iconic debut ‘Effigy Of The Forgotten’, the majestic comeback ‘Souls To Deny’ …

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Spektr – ‘Cypher’

I’ve often accused black metal of being staid and derivative, content to rest on its laurels:  but, part of the excitement which initially drew me to what I regard as real darkened extremism was the way in which BM artists were prepared to experiment and push their boundaries to their …

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Kongh – ‘Sole Creation’

The third album from Swedish doom crew Kongh is not one which is for the faint-hearted.  For a start, its four tracks clock in at around three-quarters of an hour (give or take a few seconds here or there) long. This is loud, dirty, brutal, bruising doom metal of the …

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Lordi – ‘To Beast Or Not To Beast’

It’s hard to take Lordi seriously – but, by equal measure, it is hard not to take them seriously. Over the past 21 years – or 11 years in recording terms – Mr Lordi and the various vagabonds with whom he has teamed up on his quest to world domination …

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Helker – ‘Somewhere In The Circle’

On first listen, you could be forgiven for thinking that Helker are German: in fact, they hail from that renowned hotbed of heavy metal Argentina, with ‘Somewhere In The Circle’ being their fourth album but the first to be both recorded in English and gain an international release, thanks to …

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Coma – ‘Don’t Set Your Dogs On Me’

When I think of Polish metal bands, I must admit that I automatically think of internationally acclaimed acts such as Behemoth and Vader. Having recently been subjected to the humiliation of the band self-described as “Poland’s Iron Maiden”, i.e. Turbo, I’m somewhat sceptical about some of the boasts made about …

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Voodoo Circle – ‘More Than One Way Home’

Us rock journalists are supposed to be reasonably savvy types, keeping our fingers on the pulses and knowing exactly what’s happening on this planet we call mosh, so we can impart our knowledge onto you, our millions of devoted and much lover readers. So, imagine my surprise when, completely unannounced …

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Circle II Circle – ‘Seasons Will Fall’

If you’ve never heard them before, you would be forgiven for thinking, upon first listen, that there is a very Savatage quality to Circle II Circle’s sound:  it’s a comparison that you would be more than justified making, as CIIC frontman Zak Stevens spent eight years at the helm of …

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Riverside – ‘Shrine Of The New Generation Slaves’

This fifth studio album from Polish progressive rockers Riverside – their first since 2009’s ‘Anno Domini High Definition’, which charted at number one in their native Poland – is an interesting beast, drawing as it does on a myriad of influences, from underground central European jazz through English folk music …

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Funeral For A Friend – ‘Conduit’

Since their formation in 2001, Welsh ‘post-hardcore’ crew Funeral For A Friend have literally “been there, done that, sold a million T-shirts”. However, over the past decade or so, their popularity has undeniably waned: following the gold status of their debut ‘Casually Dressed And Deep In Conversation’ in 2003, and …

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Knaat – ‘Die Lichtung’

Folk metal, pagan metal, call it what you will, has an unnerving penchant for veering, inexplicably and unexpectedly, from one extreme to the other – and, most notably, from the sublime to the ridiculous. Unfortunately, Munich-based sextet Knaat fall somewhere ‘twixt and between – but, at the same time, manage …

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Taste – ‘Taste’

I may not be (quite) old enough to remember them the first time around, but the names Skid Row and Taste hold a seminal place in Irish music-lore: the former as the ultimate forerunner of the mighty Thin Lizzy, and the latter as the trio who propelled the late, great …

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New Model Army Vengeance – The Whole Story 1980-84

New Model Army recently bought back the rights to all their pre EMI music and have now embarked on a campaign to re-release their music, re-mastered and with additional tracks, from the same period as the original albums.  The first release in this series is their debut album Vengeance which …

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Enthroned – ‘Obsidium’

Belgian black metal mob Enthroned have been slowly carving out a reputation for themselves as one of the continent’s more accomplished, if hardly innovative, black metal outfits, and this ninth album is as solid as anything the genre has produced in the last couple of decades. There’s nothing hugely original …

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Abinaya – Corps

This second album from France’s Abinaya – their name is Sanskrit for ‘passing on’ – definitely lives up to its conjunctive title, for it most definitely is a ‘Corps’ of work that should be passed on. The problems start early on, with the apologetic Algerian drum line on the opening, …

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Declamatory – ‘Human Remains’

This apocalyptic themed debut album by Berlin (self-described) melodic thrashers Declamatory has been some 12 years in the making, and apparently is the first of a triptych of similarly conceptualized offerings… The concept in question revolves around “the post-apocalyptic war between the Raiders and the Crystal Gods, fought in the …

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The Dropkick Murphys – ‘Signed And Sealed In Blood’

“The boys are back – and they’re looking for a fight”.  Thus starts this latest album (the eighth) from Boston’s Dropkick Murphys.. one of a handful of bands – alongside the likes of Flogging Molly – who have successfully moulded their Irish heritage onto a hardcore/punk sound. While 2011’s ‘Going …

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Pink Cream 69 – ‘Ceremonial’

This unusually named German AOR band trace their roots back a quarter of a century, to 1987, and this is their 11th album – their first in 11 years and also their first with new drummer (formerly the band’s drum tech) Chris Schmidt, who replaced founder member Kosta Zafiriou, who …

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nulldB – ‘Endzeit’

It’s probably a bit pat to say – but, then, the band do allude to it in their own press collateral – but a German band playing industrial-tinged metal and singing in their native language are inevitably going to draw comparisons with Rammstein. And, yes, there are other references with …

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